Casey James Performing at 2013 Volusia County Fair

Casey James Performing

at 2013 Volusia County Fair

Saturday November 9th at 8PM

Inside the Tommy Lawrence Arena.

Concert is FREE with your paid gate admission.

Casey James grew up with a guitar in his hands, and he sang before he could talk. No surprise, then, that his 2012 self-titled debut album from Sony Music Nashville should blend those talents into a blues-soaked country sound all his own. “I’m a musician,” James shrugs, when asked to classify his creativity. “Not a guitar player, not a singer – I’m a musician.” And as sophomore single “Crying On A Suitcase” climbs the charts, the story behind his music makes more sense than ever: James has been prepping for this gig his entire life.

Believe it or not, the young man with the super-smooth style was raised in a place called Cool. That’s the name of the tiny North Texas town where James spent his childhood, enjoying the freedom of a simple rural upbringing and surrounded by a tight-knit family with deep musical roots. “The very first memory that I’ve got of music is listening to a Ricky Skaggs album at my Nana and Papaw’s house,” James recalls. “‘Walking In Jerusalem’ has this guitar intro, and then the drums and bass come in… I remember moving a chair over in front of the speakers, just sitting there and listening, and as soon as all the instruments came in, I would start the song over.” He laughs at the thought of himself as a toddler, climbing that chair to move the needle on the record over and over again. “My Nana actually came and made me stop because she was tired of hearing it,” he says. It was 1986, and four-year-old Casey had found his calling.

Both Mom and Dad were active in music at church, and although the two split up when James was young, they would each have a tremendous influence on his musical education. “My dad plays guitar and sings extremely well, and Mom was always singing,” he says. When he was 13, she bought him his first guitar, and the boy and his instrument quickly became inseparable. “If you’d asked me back then if I spent all my time practicing, I would have told you no,” James chuckles. “But the funny thing is that, years later, different people were like, ‘You spent every day, all day long, with the guitar in your hands. You didn’t go anywhere without it.’ I guess when you love to do something you don’t really think of it as practice. I was just having fun, and spending time doing something that I love to do.” Within a year, he’d mastered a classical Spanish guitar piece called “Malaguena,” a song he learned from his dad. James played it at eighth grade graduation – his first public performance.

At the same time, like any typical teen, James was expanding his musical horizons. “I went through big phases, musically,” he says. He started with a love of traditional country music like Merle Haggard and George Jones, then moved to more modern artists like George Strait; the first song he ever learned to play and sing at the same time was “The Dance,” by Garth Brooks. But it didn’t take long for his curious mind to stretch out and discover classic rock, and soon his repertoire included Lynyrd Skynyrd, as well as Bob Seger tracks like “Old Time Rock N’ Roll” and “Night Moves.” (“Isn’t that great?” James says of the latter. “I don’t know what I’m saying, but I’m singing it.”) Since it was the ‘90s, he wasn’t immune to Seattle grunge, and he followed that with a blues phase that started in Texas with Stevie Ray Vaughn, and eventually took him all the way to the Mississippi Delta.

Unlike a typical teen, however, James wasn’t just soundtracking the struggles of adolescent life through his headphones – he was building a lasting relationship with the art of playing guitar.